Sketches representing the Native Tribes, Animals, and Scenery of Southern Africa, from Drawings made by the late Mr. Samuel Daniell, engraved by William Daniell
: Daniell, SamuelYear
: First editionPublisher
: London; William Daniell and William WoodCategory
A genuine, extremely rare large paper copy of an otherwise scarce, beautifully illustrated book. (For more information about the paper size please follow the link at the bottom of this page.)
A magnificent contemporary full diced calf binding with the boards panelled in gilt; gilt corner pieces within a single gilt filet, surrounded along the edges by gilt stamped floral rolls within double gilt filets with four corner pieces. Gilt dentelles and inner-dentelles. Oblong folio, bound upright. Expertly rebacked with the original spine laid down and retaining original endpapers. The spine divided in seven compartments by six gilt decorated raised bands with double gilt filets at either side and with the title on a black morocco label in the second compartment. The other compartments gilt tooled within triple gilt filets with corner pieces. All edges marbled.
Some leaves watermarked " J. Whatman / Turkey Mills / 1819 ".
Grey pastedowns and flyleaves with the bookplate of G.R. Nicolaus (¹) on the front pastedown.
Collation: 2 preliminary blanks, half title, title, dedication page, editor's foreword, contents leaf, followed by 48 plates printed on India paper and mounted on heavy paper, each print followed by a leaf with descriptive letterpress, 2 trailing blanks.
There are 48 text leaves, numbered 1 - 48 on the recto sides while the verso sides are blank. The plates are numbered 1 - 48 in the top right corner (there exist copies with the plates unnumbered) and signed Sam'l Daniell, del't
on the bottom left side and W'm Daniell sculp't
at the bottom right side. Plate nr. 23 misnumbered 32, corrected in pencil by a previous owner.
The plates are soft-grounded etchings and have all been engraved by Samuels brother William, while the accompanying text was written either by Mr. John Barrow or Dr. William Somerville.
Minor soiling to the boards, light rubbing to extremities, light foxing to the mounts of a few plates, the corners of just a very few mounts creased, but overall a clean and attractive copy of a very special book.
An extremely rare and exceptional copy, both in size and in completeness.
Abbey lists various oblong and upright sizes in inches, viz.:
10 ¼ x 14 ¼ Abbey's copy
11 x 15 Mendelssohn I
13 ⅝ x 11 British Museum
13 x 10 Mendelssohn II
12 ¾ x 16 ½ Victoria and Albert Museum (VAM)
He concludes that only the VAM copy is a large paper copy. In the VAM copy the plates are printed on India paper, as in a few other copies, while, as auction records prove, most copies were printed on plain paper, the cheapest variant (£ 3. 3s) published, according to Abbey. The prices of the other issues were respectively £ 4. 4s for the copies with the plates printed on India paper and £ 8. 8s for the large paper issue with the plates on India paper as well. Of this large paper issue apparently only 25 copies were printed. For a summary of the known surviving copies on India paper (all formats) please click here
Neither in ABPC nor in RBH there is a record of a large paper copy.
The size of our copy is 16 ⅓ x 12 ¾ inch (415 x 325 mm), so it matches the size of the VAM copy, however, unlike the VAM copy it is bound upright.
Samuel died in Ceylon in 1811. His brother obtained the drawings and decided to have them published.
Mendelssohn I, pp. 412/413: ... Mr. Samuel Daniell accompanied Dr. Sommerville and Mr. (afterwards Sir John) Barrow on an expedition into the interior of South Africa, and the collection of sketches included in this volume are the result of his researches while pursuing those studies in natural history to which he devoted his life. " He was indefatigable in the pursuit of the various subjects he has delineated ; and it was his constant care to see the animals alive, that he might make himself master of their actions and habits. To the knowledge acquired in this way he added all that could be obtained in the country which produced the animals he has represented by conversations with the peasants and the natives." ...
However true the description by Mendelssohn may be, it should be emphasized how sensitive the portraits of the people of South Africa are as drawn by him. They are proud, strong and beautiful as is clearly shown in the magnificent pictures in this book. The captions (Bosjesman, Kaffer, etc.) clearly are due to the ignorance of a past era and Samuel Daniell is not to be blamed.
Abbey: Of his choice of soft-ground etching for the reproduction of his brother's drawings William says he has merely to add with respect to the Engravings, that he has endeavoured to transfuse into them the spirit of the originals by a process which appeared to him best calculated for the attainment of that object. It is a most beautiful and sensitive work. One can well believe that William has not intruded himself but has indeed kept the spirit of the originals
This book appeared in two formats; oblong folio and quarto. Mendelssohn first gives a comprehensive description of the quarto edition, followed by a concise description of the oblong folio format. Therefore, some consider the oblong folio edition to be a second issue. However, these are just assumptions as Mendelssohn makes no remarks about the issue. Abbey, who apparently conducted some extensive research, notes:There seems to be no evidence as to the order of priority.
In addition it is of some importance to be aware of that all known large paper copies are copies in oblong folio format.
Abbey Travel 326, Gay 3136, Hosken p. 55, Mendelssohn I, pp. 412, 413.
A superior copy of this rare book in an exquisite binding. Please click here
for extra publication details.
(¹) G.R. Nicolaus was a partner in the London based firm of Mercer, Nicolaus, and Co., a firm specialized in worldwide geological surveys for metals, fossil fuels and the like. He also was a great bibliophile.
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